Year of the Knucklehead part 3

The Grand Old Party?

Republicans, especially those at the state level, have dedicated themselves to leading us all on a giant leap back to the 19th Century. In some instances state legislatures with a Republican supermajority are relying on anti-abortion laws from the 1800’s that had refused to die a natural death in the dusty archives of antiquity.

Republicans have a simple philosophy: If people won’t make what we consider the moral choice, then we’ll force them to. The Republican’s first response is to pass a law. Make it vague enough to withstand any challenge, make it harsh enough to serve as a deterrent. Their view of an ideal world is white, straight, Christian, and compliant.

Let’s say the truth:

  • The GOP is the party of lies.
  • The GOP is the party that hates women. All this lame double-talk about pro-life and looking out for the unborn child is just so much bullshit. Anti-abortion laws are not pro child; they are anti- woman. A pack of old, white men have decided that their judgment is more trustworthy than that of doctors with years of education and experience.
  • The GOP is the party of xenophobes. They are suspicious of immigrants of every stripe and would close the borders completely if they could.
  • The GOP is deeply and morbidly frightened of sex. Anything that is remotely connected with sex or sexual behavior must conform to its narrow strictures or be regarded as anti-American. (that is the missionary position and a dim, ill-defined unease about doing something dirty). Gay people are suspect, especially if they have the moxie to try and get married. LGBTQ folks have set themselves up against God. As the representatives of God on earth (just ask them), the Republicans must make their lives miserable, or impossible.
  • The Republicans are the party of capitulation. They have allowed their party to be hijacked by the boogie man of Mar-a-Lago, and have been espousing his five-year old’s view of the world. It’s Stockholm Syndrome on a grand scale, regardless of their titular head being a major loser.(He proposed Herschel Walker for the Senate. Hershel Walker.)
  • The GOP is the party of Marjorie Taylor Greene, Jim Jordan, Matt Goetz, Lauren Boebert, Kevin McCarthy and similar MAGA blowhards. ‘Nuff said.

Here’s the only sensible course for responsible voters: When Election Day comes around, don’t vote Republican. Don’t vote in such a way that the race could be thrown to the Republicans. President, Senator, Congressperson, Judges, State officials, Board of Education members, Dog Catchers, whoever. It doesn’t matter if they acknowledge Trump as their leader. It doesn’t matter if they oppose Trump or Trumpism. If they have the temerity to call themselves Republican, vote them out. Clean the house. Start again. Send a message.

Pants on Fire

In the 1620’s the village of Salem in Massachusetts colony experienced a real witch hunt. Several people were put to death; several were imprisoned. Interestingly enough, those who were hanged could have saved their lives by simply confessing. Those who acknowledged their witchcraft were placed in prison and ultimately released when they recanted, or when people got tired of holding them. The problem was that, for the people who went to the gallows, such an admission would be a lie. These people were unwilling to lie, so they died. Think about that: all they had to do to save their lives was lie. The truth was so important to them that they chose death over denying it.

Is there any possibility that any MAGA Republican would do the same today? They are all practiced liars. They all believe that the truth can be dispensed with if it gets in the way. Is there any doubt that any of them would grovel and lie if threatened? There are those who will tell you that many of them really believe what they are saying. I say they have to be stupid to do so. They are craven and fearful because they have ceded the whip hand to the boogie man of Mar-A-Lago, who will not hesitate to use it. They are willing to lie to avoid the whip. And we let them.

Boys and Their Toys

The Second Amendment to the US Constitution reads like this:

A well regulated Militia being necessary to the security of a free State, the right of the people to keep and bear Arms shall not be infringed.

[32]

There is some quibbling about commas, and how many there should be, and where they should be located, but that’s not really important. Some knuckleheads think that the amendment enables any lunatic to buy an AR-15. A lot of militia types believe that the Second Amendment is all that’s protecting them from having jackbooted liberal thugs swooping down in their black helicopters and confiscating all their beloved guns. Boys and their toys.

A lot of white-supremacy knuckleheads will say , “well-regulated militia? That’s us.” They have deluded themselves into thinking that they are defending their way of life against imaginary enemies. Their way of life does not include black people,or anyone who doesn’t look like them , gay people of any gender, trans people, Jews, or Catholics—anyone, in fact, who is not white, straight, and Protestant. So they spend their time stockpiling weapons , nursing their mythical grievances, and making empty threats against anyone who disagrees with them.

A fine example of this is the darling of the militias, Kyle Rittenhouse. Mr. Rittenhouse, all of seventeen, persuaded his mother to drive him to Kenosha, Wisconsin, where a disturbance was taking place. He brought with him an exaggerated idea of his own importance (an attitude not uncommon among those of his ilk) and an AR-15 rifle. He proceeded to shoot everyone who frightened him, killing two.

Mr. Rittenhouse was put on trial, during which he wept copious tears, and was acquitted, and became the poster boy for the sort of mindless violence these militias espouse. Most recently the Idaho GOP is auctioning off a chance to hobnob with the little punk at a gun range. The outing is called “Trigger Time”. Boys and their toys.

Meanwhile, several states have passed “stand your ground” laws, which are nothing less than excuses to shoot niggers. Here’s how the current scorecard stacks up for that one:

  • In Missouri, a young man looking to pick up his brothers went to the wrong house and rang the bell. He was shot through the door by the 84-year-old moron who lived there.
  • In New York State, a young woman was shot dead by a homeowner when her car pulled into the wrong driveway.
  • In Texas a cheerleader was shot when she mistakenly opened the door to the wrong car.
  • In North Carolina a man shot a six-year-old girl and her parents when the ball they were playing with rolled on to his property.
  • And here’s a late-breaking item: Once again in Texas, which is neck-and-neck with Florida in the race to become the most ignorant and bigoted place in the nation, a homeowner, apparently drunk as a skunk, was amusing himself by firing a rifle in his front yard. His neighbor asked him to make less noise because the baby was trying to sleep. The homeowner replied that he would do whatever he damn well pleased in his own front yard, and, for good measure, shot and killed five of his neighbor’s family, including a little kid.

There are plenty of other examples, but you get the idea.

None of these solid citizens bothered to yell, “Hey! What the hell are you doing?” instead of blasting away. Why not? Because the law said it was OK to let their gun talk for them. And what’s the sense of having a gun if you can’t shoot it off? Boys and their toys.

Guns are far more dangerous than automobiles. You can’t legally drive a car without a license. You can’t get a license unless you pass a written test and a field test. You have to get a learner’s permit before you get a license, and you have to have a grown-up in the car with you. But in a lot of gun-loving places, any moron with the price can buy a bazooka and walk around with it unsupervised the same day. The people who came up with car regulations understood that cars can be dangerous for the inexperienced or untrained. The people who came up with gun regulations apparently don’t give a shit.

The second amendment is outdated and should be repealed. Of course it won’t be. You just can’t get those boys to give up their toys

Short Takes II

Several people have asked me why I’m not posting any more. I’ve been thinking. I’ve been thinking about the world in which we live. In every state quasi-religious bigots are either in charge or have made a strong showing. The people they have sworn to serve and protect have instead had the twisted morality of a few rammed down their throats. The Republicans have mastered the art of minority rule, and the Democrats are too busy squabbling to present any sort of coalesced opposition against it. In the meantime the people languish in limbo, with no one looking after their interests or paying attention to anything they say.

Government has become a thing unto itself. Those who run it feel free to defile the halls of the Capitol and the White House and the Supreme Court Building with cretins and partisan fools. Case in point: Hershel Walker.

Herschel Walker played a nice game of football. Heisman trophy winner, two-time Pro Bowl Honoree, and member of the College Football Hall of Fame, Walker is currently running for US Senator in Georgia. Mr. Walker has the endorsement of former president Trump.

Herschel Walker has attained many great accomplishments in his life. He has many advantages in his bid for the Senate. His only real weakness is he’s an ignoramus.

Mr. Trump has a long history of appointing or backing people with no qualifications at all for the posts they propose to fill. He certainly did so with his presidential cabinet. The collection of clowns, buffoons and fools he came up with was a national embarrassment. He has managed to tear down what little faith remained in the Supreme Court. Mr. Trump pushed through three perjurers who agreed to guzzle the Kool-Aid. They took their places next to a superannuated neanderthal whose mind was firmly rooted in the 18th Century, and someone who has proclaimed his animus against “liberals” and relished the opportunity to stick it them. This is a judge?

In short, I’ve been too depressed to write.

But reality keeps challenging me, raising up situations that cry out for comment. How about abortion?Now that the Supreme Court has stupidly stuck down Roe v Wade, issues of sex and medicine have moved front and center. American lawmakers have always had trouble with both of them. Abortion, same-sex marriage, the whole LBGTQ mess. Lawmakers wish that all of these would go away. Where sex is involved, our puritan background starts showing. We fall victim to the nagging suspicion that someone somewhere is having a good time. This cannot be permitted. At the very least, some extortionate price must be paid. Lawmakers view their jobs as stamping out sin.

I’m sure that God is grateful for the help, but sometimes ignorant help can cause more harm than good.

When someone sees his job as a mission from God, he tends to disregard collateral damage. The important thing is that sin is eliminated. Any suffering caused is beside the point. We brush all the ten- year-old rape victims aside; all the wildfires, all the lethal heat waves, all the blighted lives, all the falsely prosecuted doctors, all the floods and droughts and violent storms. What’s important is sin is kept down. You have an opportunity to worship at the altar of Trump and the almighty dollar, prove your bona fides, and reject any deviation from the norm.

Maybe the boogie man from Mar-a-Lago will finally lose his influence. Maybe the MAGA morons will at last realize they’ve been duped and lied to for years. Maybe a generation of politicians will arise that debates in good faith and disagrees with but respects the opposition. Maybe we’ll see a Congress that stops squabbling about which restrooms I can use, and tries to find a way to actually help people. Watch this space.

An Open Letter

Here are a few items I wanted to pass along. These are intended for all Trumpistas everywhere. So, If you took a long drink of the kool-aid, if you’re clinging to the Big Lie because you believe it gives your life meaning, this is for you.

Donald Trump lost the 2020 presidential election. He lost it fair and square. There was no widespread fraud or ballot fiddling. He just plain lost.

Trump is one of the greatest losers in recent memory. He lost the popular vote in 2016. He lost the popular vote in 2020. He lost the electoral vote in 2020. He lost over 60 different times in various courts across the land, trying to get them to takes his claims of fraud seriously. He lost the Senate for the Republicans. He failed to retake a majority in the House. He failed to convince the Secretary of State in Georgia to “find” the ballots he needed to win the popular vote. He failed to convince the Secretary of State of Arizona to count ballots the way he wanted them counted. The country turned its back on him.

Presidents do not get reinstated. It just doesn’t happen.

Losing anything at any time is inconceivable to Trump. He can’s process it. If he does fall short, it must be that the other side did not play fair. It cannot possibly be that his performance was in any way lacking. If the world run correctly, he would never lose anything. He’s managed to convince millions of people of this simple prospect.

He’s gathered these acolytes to him and fed them this malodorous gruel, and they have lapped it up and clamored for more. Trump keeps them close so he can fuck them up the ass and convince them it’s their patriotic duty to let him.

To reiterate: Trump lost because enough people thought he stank on ice and voted against him. It’s nobody’s fault but his. There was no fraud, no ballot rigging, no back room shenanigans. He just plain lost.

Donald Trump is not a Republican. The GOP has allowed him to hijack their party and replace its principles and beliefs with worship of the Great I Am. He maintains his control by intimidation and bullying The result was in 2020, for example, the GOP had no platform, only loyalty to Trump.

Loyalty to Trump is now the litmus test for any GOP wannabe. They have to drink the kool-aid without gagging, swear that black is white and up is down.

At the moment what claims to be the Republican Party is led by a paranoid, petulant, world-class loser.

If you are a Trumpista, ask yourself if you really want to follow the ravings of a loser and a lunatic.

Isn’t it time to use your own brain?

Short Takes

The American Council of Catholic Bishops is contemplating advising American priests to deny President Biden holy communion. This is because of his refusal to takes any legal action against abortion. The Vatican opposes this action, but it looks like the bishops might go ahead anyway. I say let them dabble in politics if they want, and be prepared to pay taxes.

*******

In a recent television show, a Trump supporter declared that Donald Trump was anointed by God. How do you deal with people like that?

******

Meanwhile, various Republicans are making pronouncements concerning the unpleasantness on January 6. Some say it was like tourists visiting the Capitol. Some say the FBI was involved. Some say those involved were not Trump supporters, but left wingers like Antifa. Some deny it happened at all. Strangely enough, these same Republicans voted against creation of a commission to investigate the events of January 6. Wouldn’t they want the truth to come out? Wouldn’t they want their theories about this riot vindicated? Is it possible they don’t believe what they’re saying is true, and an investigation would reveal this to the world?

******

Experience has revealed two different types of Republicans. One group is so irredeemably stupid they actually believe what they’re saying about Trump and the insurrection, and everything they’re told by Misinformation Central. They also pay close attention to what others of their ilk might say, so they can keep up on the latest talking points.

The second group does not believe anything they’re saying about these topics, but are willing to champion these knuckle headed views because they think it will benefit them. The Boogie Man of Mar-a-Lago will look kindly on their efforts and bestow his blessing. They can show the seal on their foreheads to the base, who are quick to turn against any hint of disloyalty (that is: integrity). They can monetize their lies and appeal to the base to contribute to help support them.

In any event these people choose to ignore that the mob that broke into the Capitol had come there to kill them. A quick view of the tapes from that day show the rioters were in no frame of mind to listen to any denials, excuses, or protestations of solidarity. They would have killed anyone they met. If it were not for the truly heroic fight of the Capitol Police and their allies (which are now ignored or vilified) many of the elected representatives who so gallantly vote against any real investigation of January 4 would now be dead.

******

Roger Benitez, Senior Judge of the United States District Court for the Southern District of California, has recently ruled a voter approved initiative banning high capacity gun rounds was a violation of the second amendment. In his opinion he downplayed the effects of an AR-15 gunshot wound and compared the AR-15 assault rifle to a Swiss army knife. Mr Benitez was ap[pointed to the court in 2004 by President George W, Bush, over the strenuous objections of the American Bar Association, It seems these people had the right idea.

During his may years on the federal bench, Judge Benitez has provided ample evidence that he is a moron.

******

Meanwhile, down in Texas. citizens are now free to open-carry firearms without license, without background checks, without training. This is the latest chapter in the continuing story of Boys-and-Their-Toys. Once again Texas strikes a blow for ignorance, macho bullshit, and hubris.

Year of the Knucklehead

The Deaf Dog doesn’t often comment on current events or politics, but every now and then something so egregious takes place, it seems criminal not to comment.

Vero Beach, Florida is home to the Flowing Streams Church and its pastor Rick Wiles. Pastor Wiles is a man of strong opinions. For example, according to Newsweek, last year he delared on his website, TruNews, that  God was “spreading” COVID-19 in synagogues as punishment for Jews opposing “his son, the Lord Jesus Christ.”

Let’s insert a pause here, so you can read that claim again.

Pastor Wiles has turned his righteous indignation to Dr. Anthony Fauci. He tells us that Dr. Fauci has for years “worked with the Chinese Communists” to spawn the COVID 19 virus and visit it upon the world. He recommends that Dr. Fauci be taken to Guantanamo Bay and waterboarded until he “coughs up the truth”. He aslo demands that Dr. Fauci rat out “the other traitors who have helped China damage the United States of America with this virus.” 

Let’s have another pause.

This man is a pastor, a pastor. He’s advocating a man be tortured until he verifies his paranoid delusion. His brand of Christianity is remarkable indeed (although, sad to say, not unique). It’s a safe bet that listening to Pastor Wiles for only a few minutes, would make Jesus puke.

Pastor Wiles is only one of a large minority of so-called Americans for whom paranoia and senseless violence are a way of life. Make no mistake, this helps to solidify the triumph of stupidity in American politics. Let’s say that again: stupidity.

The Boogie Man of Mar-a-Lago has swindled millions of people to part with their hard-earned money to pay for his non-existing crusade against imaginary enemies of the state. His followers have not yet realized what a liar and swindler he is. These people are gullible beyond belief. They are a con-man’s wet dream.

Of course, there are some crackpots who actually believe the nonesense they’re spewing. I fear Pastor Wiles is one of these. His website is a festival of dreck from one end to the other, He is the ringmaster of crap. It’s possible he’s not making a nickel from his rantings., It’s possible he’s gratified by the attentions he desperately tries to gather to himself He needs to convince hmself, just like that jerk in Mar-a-Lago does, that he’s not an insignificant insect buzzing around the pile of shit he’s created, convincing heimself it’s a treasure worth defending.

It’s so disheartening to recognize rhar stupidity is on the rise, not only stupidity, but the stupidity of the irredeemably stupid. And they are voted into office, listened to, emulated by those every bit as stupid as they are.

Freedom Fries

The Dixie Chicks have changed their name to The Chicks.

Lady Antebellum has changed its name to Lady AB.

Across the country, a movement has arisen to change the names of military bases named after figures of the Confederacy.

Statues of Confederate generals have been pulled down throughout the South.

A mob tried to topple a statue of President Andrew Jackson in Washington DC.

In San Francisco, morons pulled down a statue of Ulysses S. Grant ostensibly because of some remark they deemed racist.

In Great Britain, statues of Captain James Cook and Winston Churchill have been defaced.

What do all these actions have in common?

They’re all stupid.

What good will it do to pretend that there’s nothing below the Mason-Dixon line? What good will it do to pretend decades of history never happened? Faced with a choice between informed intelligence and willful ignorance, we are choosing ignorance.

The unfortunate death of George Floyd, and the unfortunate deaths of a raft of other black victims have given rise to a protest movement in the streets. This movement is made up of three components: 1) a group of people sincerely dedicated to social justice and reform who are safely and non-violently exercising their first amendment rights, 2) a group of people who want to follow the current trend of being fashionably black or coming down on the right side of black issues, and 3) people who enjoy setting fires and stealing things.

It’s this third group who can help re-elect the president.

The president has assured us (quite falsely) that the COVID-19 virus is on the wane. He won’t wear a face mask because of vanity and to project an image of macho ignorance.  He also suggests that those who wear a mask do so as a way of expressing disapproval of and disagreement with him.

Once again, in a time of national calamity, we are governed by symbols. We change the names of anything we encounter, as if that meant anything or accomplished anything. Mayor DiBlasio wants to paint a giant yellow BLACK LIVES MATTER on 5th Avenue right outside Trump Tower. To what end? Mr. Trump doesn’t care. To prove the mayor’s racial bona fides, of course.

More and more, with face masks, with testing, with quarantining and isolation, with statistics, we react to what we are told they mean, rather than what they do.  Does our neighbor wear a MAGA hat? We now know everything we need to know about him. He’s a knucklehead, for one thing. Does the national or multi-national corporation put an ad on TV detailing the charitable actions they’re taking now in this “time of crisis” and assuring us that we’ll all pull through this together? Well, they must be good guys after all.

In 2003, because the French refused to join us in an ill-conceived war, there was a wave of anti-France sentiment. French fries in the US Capitol cafeteria were renamed Freedom Fries. (There was Freedom Toast, too.) Like that made a difference. Like anybody cared.

Things are what they are. They have no meaning aside from what they do. Any argument to the contrary is just political guff. Don’t bother ordering Freedom Fries. They don’t make them anymore. Not since 2006.

Gorilla My Dreams

King Kong directed by Merriam C. Cooper and Ernest B. Shoedesack, original story by Merian C. Cooper and Edgar Wallace,  screenplay by James A. Creelman and Ruth Rose, special visual effects by Willis O’Brien, RKO 1933

King Kong directed by John Guillerman screenplay by Lorenzo Semple Jr, (based on the 1933 screenplay),  special visual effects by Carlo Rambaldi and Rick Baker, Paramount 1976

King Kong directed by Peter Jackson, screenplay by Fran Walsh, Philippa Boyens and Peter Jackson, special visual effects by Weta Digital Ltd et al, Universal 2005

King Kong will never die. You can attack him with airplanes, and helicopters, beguile him with dewy-eyed blondes, drop him from the tallest buildings in the world, he will always rise again. Kong is invincible, indestructible, eternal.

People have tried to tell his story again and again. Even in the first attempt, made way back in 1933, when we are told, “’Twas beauty killed the beast.”, the magic lingers. Kong is still a name to conjure with.

The King Kong of 1933, hereinafter referred to as KONG33, was a contemporary story. There was no explanation needed about why Ann Darrow tried to steal an apple or why she fainted immediately afterward. The members of the audience knew there was a depression. They knew from her first appearance. They knew her story–it may have been their story as well. They knew people had no jobs, some people didn’t have enough to eat, Maybe some of them had stolen the occasional apple when things got really desperate. Everything they needed to knew about Ann.

Even so, the whole mood of the movie is that of a fairy tale. The tone is set in the first seconds with the epigraph — the old Arabian proverb (the old Arabian proverb made up by Merriam Cooper ) referencing the Beauty and the Beast story. This story is mentioned several times and replicated twice: once with Ann Darrow and the little Capuchin monkey on the ship, and once with Ann and Jack Driscoll standing in for the Beast. When Ann meets Kong, as in the story, her beauty and innocence and vulnerability cast a spell over him. As Carl Denham points out, Kong’s first encounter with Beauty is the beginning of his downfall.

Some big, hardboiled egg gets a look at a pretty face and bang, he cracks up and goes sappy!

He’s addressing Jack Driscoll, but he’s talking about Kong.

But there’s a second theme to the movie that is thrown into sharp relief when Kong arrives in New York.  Just about every American movie in the past seventy years has presented the world we live in—the modern world, the civilized world, as inferior to the world of nature, if not downright evil. The modern world is where lies and greed and indifference to suffering live. It taints everything it touches. The native chieftain declares their ceremony is spoiled because these white (read civilized) people have seen it.

Here’s how Carl Denham puts it:

We’ll give him more than chains. He’s always been king of his world, but we’ll teach him fear. … Why, in a few months, it’ll be up in lights on Broadway: Kong, the Eighth Wonder of the World.

Fear, chains, captivity, exploitation, these are the fruits of civilization. And if you won’t conform, they throw you off the tallest building in the world. Carl Denham is the symbol of civilization, and Carl Denham is insane.

Entr’acte

King Kong provided the template for future monster movies. The formula goes like this:

  1. Monster is minding his own business on his own turf.
  2. Monster is disturbed by human activity—either an actual physical incursion or atomic tests or something of that ilk.
  3. Monster becomes upset and goes on a rampage.
  4. As part of his rampage, Monster attacks some major urban center—New York or Tokyo or Nagoya or Los Angeles or London or somewhere.
  5. Humans try one ineffective weapon after another—bullets and rockets and jet planes and suchlike.
  6. Humans finally eliminate the monstrous threat:
    1. By developing some sort of super weapon,
    2. By discovering the Monster’s fatal weakness,
    3. By having the Monster go back where he came from.

1976

KONG76 takes the theme of civilization vs the Simple Life and hammers it home with a vengeance. In 1976 there was no more reprehensible player than an oil company. There is no more reprehensible scoundrel than Charles Grodin. There was no more admirable knight in shining armor than a shaggy, long-haired ecologist who stows away aboard the Bad Guy Ship to do—what? The reprehensible scoundrel realizes that the knight is harmless and co-opts him as a photographer, instead of throwing him overboard.

The obligatory cutie pie in KONG76 is Jessica Lange. This was Ms. Lange’s first major role. Fortunately, she is playing a brainless bimbo, so the role is not much of a stretch. The name of her character is Dwan (that’s right, Dwan) The scenes between Kong and Dwan serve to reinforce the innocence of it all. They behave like Archie and Veronica out on a date. Then Kong is taken to New York and the whole thing goes to hell.

But let’s not get too wrapped up in close analysis. We must go on record as stating that KONG76 is a stinker. Dino DeLaurentis shot his mouth off on how superior his Kong was on every TV talk show that would have him. He had a forty-foot mechanical Kong that would amaze the world with its antics. Problem was they couldn’t get the damn thing to work right. Ultimately, Kong made his appearance courtesy of Rick Baker in a monkey suit. Big Whoop.

Jim Danforth, an award-winning special effects artist in his own right, resigned from the effects nominating committee of the Motion Picture Academy of Arts and Sciences in protest of KONG76 winning an Oscar for special effects, especially when the committee hadn’t nominated it.

DeLaurentis tried  a sequel ten years later with Kong Kong Lives!, which was even more of a stinker.

Lorenzo Semple Jr., who is responsible for the screenplay of KONG76, said that KONG33 was a “stunt movie”. It’s obvious he sought to avoid that. For one thing, he eliminated all the dinosaurs from Kong’s island. Semple said he wanted more of a campy tone to his King Kong script. The result was the entire cast took a “we’re too cool to believe this” attitude. This comes out blatantly on the screen and ruins any attempt at suspense or shock. So the script trashed the plot and also sank the mythic features.

Entr’acte

King Kong did it first. Godzilla and Gorgo and Rodan and Ghidorah and all the other members of the  Malevolent Brotherhood of Excessively Large Creatures followed in his footsteps. The Toho studios in Japan have contributed many variations to this formula, including miniature fairies who sing in harmony (actual show business personalities in Japan known as the Peanuts), children who display much more wisdom that their adult counterparts and make friends with the monster and, to some extent, control him, grudge matches between two or more of the monsters, and giant robots interacting with their biological opposite numbers. But the basic formula is almost always adhered to. This makes King Kong, aside from his other obvious merits, the most influential monster movie in history.

Toho carried the torch in keeping Kong alive and well, making King Kong vs Godzilla, and King Kong Escapes, the latter featuring a giant robot called Mechani-Kong. Toho also rehabilitated Kong so that he assumed the good guy role (or at least the character the audience roots for.) The most notable Toho rehabilitation was that of Godzilla, who went on to battle most of his former lodge brothers.

(Apropos of nothing, one variation introduced by Toho occurred in the movie Rodan. It had many of the aspects of a mystery and featured  an A-Team Monster and B-team Monsters. I saw the movie in a theater when I was very young, and it scared the living bejeezus out of me. I was not, however, frightened by the title monster, but by the supporting cast of icky giant caterpillar things.)

2005

Peter Jackson is a fan. KONG05, his version of the classic tale, has the strengths and weaknesses of fandom. First of all, it’s obvious he respects the material. No campy approach for him. No messing with the plot for him, no leaving out dinosaurs, no stupid bimbos. The weakness is he respects the material too much, almost reveres it. Let’s see how this works

  1. He keeps the time period back in the ‘30’s. The important thing to remember here is that in that time there were parts of the world that were mysterious. Places were still unexplored. Kong’s island was just the sort of place that would attract a world traveler like Denham.
  2. Jack Driscoll is transformed from first mate on the freighter to playwright. The only reason I can come up with for this was they had already cast Adrian Brody and no one would believe him as a first mate. But why Adrian Brody, of all people? He still looks too frail to endure what Jack has to in his quest to rescue Ann.
  3. There has been a persistent legend about a sequence that was filmed for KONG33 that occurred after Kong dumps the rescue party off the log bridge and into the ravine below. The “lost” sequence show the rescue party being devoured by giant spiders and other nasty insects. Merian Cooper cut this sequence out because he decided it slowed the movie down.

Jackson researched this sequence extensively and then reproduced it in his movie. And guess what? Cooper was right. It’s a slam-bang thrill ride, but it slows the movie down to a crawl.

  1. Jackson’s movie is twice as long as KONG33. The problem is that all the padding he’s included is just that—padding. None of it really advances the story. They’re all well done. Many of them are thrilling. But they don’t do anything for the story. The native tribe is repugnant and menacing. Why?

They almost immediately attack our heroes, and are repulsed only by the magic of gunfire. Having escaped these treacherous and violent creatures, the party returns to the ship and proceeds to behave as if the natives do not exist. They post no guards. They take no precautions like always hanging out in groups. In KONG76 even though the natives have shown a special interest in Dwan, the crew  makes no effort to protect her. It never occurs to them that the natives know how to use their outrigger canoes and could attack the ship.

KONG33 shows us classic, and quite formidable 1930’s natives, complete with coconut brassieres. They’re busy with their services when Denham and company approach. The services are intriguing and –mark this—restrained. In contrast the services in KONG76 and KONG05 look like gang bangs. It’s not necessary, it’s too much. The gorilla dance the natives in KONG33 do tells the story: it’s some kind of sympathetic magic that has something to do with gorillas. That, along with Max Steiner’s masterful score at this point sets the mood as well as the stage.

And the chief in KONG33 is the incomparable Noble Johnson. He’s the scariest thing about the sequence. He intones phrases in the native lingo and punctuates each one with the explosive syllable “KONG”. This reinforces the mystery, and keeps the name Kong before the audience. Johnson is pitch-perfect in this role and lets us know the natives are a force to be reckoned with. Noble Johnson was one of the few African-American actors to work steadily in the ‘30’s. He always brought a touch of the exotic to the scene. If you wanted an imposing black man (or Arab or Latin or Indian or Tribal Chief) with gravitas and dignity, Noble Johnson was your man. Otherwise you could get Stepin Fetchit, unless the part called for dancing, in which case you got Bill Robinson.

Who, by the way is also invincible, indestructible, and eternal.

 

 

Going Coach

Stagecoach 1939 directed by John Ford; screenplay by Dudley Nichols, based on a story by Ernest Haycox; United Artists

Stagecoach 1966 directed by Gordon Douglas; screenplay by Joseph Landon, Dudley Nichols, based on a story by Ernest Haycox; Twentieth Century Fox

Stagecoach 1986 directed by Ted Post; screenplay by James Lee Barrett , Dudley Nichols, based on a story by Ernest Haycox; Heritage Entertainment Inc

 

John Ford’s Stagecoach (Hereinafter referred to as STAGE39) has been praised to the skies by critics of each generation. Consensus has it that it’s the greatest Western ever made, one of the greatest American movies ever made, period; the first adult Western; the role that made John Wayne, etc. Lately it’s been fashionable to debunk one or all of these claims. No matter. STAGE39 will survive whatever people say about it.

I like this movie. I like it a lot. I like the story and the characters and the action sequences and the theme. Most of all, I like its simplicity. There is no fat in this movie. It is a straightforward story with no side steps, like the trip from Tonto to Lordsburg. I think the two remakes lose sight of this feature, and are constantly wandering away, following the possibilities that John Ford rightly ignored.

Making a remake is always a tricky business.. Making a remake of a classic is especially hard. One should always be guided by the wisdom of our fathers and bear in mind the ancient and honored adage, “If it ain’t broke, don’t fix it.” You have to have a certain amount of hubris to remake a classic. The story goes that Gordon Douglas sent a wire to John Ford in 1966 telling him that he would soon see Stagecoach made right. Mr. Ford is said to have replied with an assortment of choice language for which he was renowned, intended to show Mr. Douglas up for the cocky son-of-a-bitch he was.

Let’s examine all three of them side by side, with a few glances at Ernest Haycox’s story as well.

Dallas

If Haycox’s story is told from anyone’s point of view, it’s that of the soiled dove. In the story her name is Henriette. She herself says everyone in the territory know who she is and what she does. She displays her tender side by becoming a ministering angel to the fallen drummer, and comforting angel to the army wife. In STAGE39, she’s Dallas, played by the immensely talented Claire Trevor. Dallas has been banished from Tonto along with the drunken Doc Boone, by the respectable element of the town. She is outraged that such a thing can happen, but ultimately calms down and accepts the inevitable. Claire’s Dallas is experienced. She knows she’s no better than she has to be. She doesn’t protest her ostracism by her “respectable” travelling companions. And she’s disarmed and confused by the Ringo Kid’s acceptance of her.

In STAGE66, the Dallas part is played by Ann-Margret.  This is the first major casting mistake in STAGE66. She is too much of a lightweight. She looks too young to run a house, which is what she tells Ringo she does. At the time the movie was made she was 29, but because of good genes and clean living, she looks about 16. And while it’s true that the West was a place for young people, they tended to grow old before their time. The harshness of her life should be written on Dallas’ face somewhere.

Too, Ann-Margret’s Dallas is too quick to lash out at respectability. She lies to Mrs. Mallory about her husband’s unfaithfulness. She openly despises Banker Gatewood as a hypocrite. She’s quick to lash out at Ringo when he tries to be polite. It all sounds like a teenage girl whining about her prom date. STAGE66’s Dallas is fighting a battle that STAGE39’s is still contemplating, or, worse yet, has deemed not worth the struggle.

But now we come to STAGE86, a vanity production put together by four country singers. I must confess a prejudice here. I am madly in love with Elzabeth Ashley. I am a sucker for her seductive eyes and hot buttered rum voice, and I am of the opinion that any production that includes her is enriched by her presence.

Now that I’ve gotten that off my chest, I need to say that her Dallas is much more worldly that either of the other two. She’s seen it all before and learned she can live through it. I would trust her to run my house. At one point the Ringo Kid tells her, “You’re the woman my momma warned me about.” And he was right. Ann-Margret’s Dallas comes off like a girl, and there is something girlish about Claire Trevor (Compare her performance here with her role as The Countess in The Desperadoes, made four years later.) Elizabeth Ashley is a woman, a grown-up, and she reacts to her surroundings with a woman’s pride and self-assurance. Unfortunately, STAGE86 gives her little to do. She’s already fully formed, with no insecurities to overcome, just right to become a good man’s wife.

Ringo

So much has been written about John Wayne’s portrayal of the Ringo Kid, that there’s not much left to say. He brings a depth and vulnerability to the role that few expected, I think. Katherine Hepburn, his co-star many years later, said that Wayne was a much better actor than people gave him credit for. Suffice to say, he nails it. All the aspects of Ringo’s character are clearly on display. It’s always been my belief that, farm boy that he is, Wayne’s Ringo doesn’t realize what Dallas does for a living. He just responds to her as a fellow traveler. In fact, he believes it’s his status as a convict that the others are reacting against.

Alex Cord does an OK job as Ringo in STAGE66. Unfortunately, like Ann-Margret, he lacks the gravitas to pull it off.  Howard Hawks once said that there’s an aura of pent-up violence in Wayne when he’s playing Western heroes. I don’t get that from Alex Cord at all.. If he and Wayne had a stare-down, I know who would win. When he gets worked up Cord is strident. When he’s not worked up, he makes no impression al all.

At fifty years old, Kris Kristofferson is just plain too old to play Ringo. He’s just not boyish, not callow. He doesn’t seem like a farm boy out in the world. In the end, when he rides off with Dallas, it’s fun to speculate who’s going to rule the roost. He makes less of an impression that Alex Cord does.

Curly

In STAGE39, George Bancroft does a good job playing the marshal. He’s tough and grumpy. He knows criminals. He’s got a personal relationship with Ringo’s father, but he doesn’t let that stand in his way. He takes charge, and he’s used to taking charge.

Van Heflin in STAGE66 is one of the highlights of the movie.  He’s an old hand and he delivers a solid performance. He adds to the obligatory toughness and grumpiness a world-weariness and resignation to his lot. He knows that the $500 the Kid represents could be the beginning of a whole new life for him, but he never treats the Kid as merely a dollar sign. Van Johnson’s Curly is that curiosity, a good man

Johnny Cash gives us the best performance among the country singers in STAGE86. The other singers deliver their lines as if sleepwalking. Willie Nelson adds a smarmy smirk every time he comes out with a pithy platitude usually cribbed from Mark Twain. Cash shows his tiredness, his resolution, his confusion. He’s not afraid of comedy, deadpan comedy: “What’s an ovary?” He has the toughness without the grumpiness, and you believe what he says.

Hatfield

STAGE39 features , as Hatfield the gambler, the great John Carradine. Mr. Carradine was frequently referred to as the hardest working man in movies. He appeared in 300 of them. He himself said he had to keep working because he had a family of four, plus a wife, to support. Consequently, in addition to appearing in some of the greatest movies ever made, he also took roles in what he described as “crap”.

I once again must confess to a prejudice here. I would pay money to hear John Carradine read the phone book. I love every vampire, undertaker, con man, Shakespearean ham, mad scientist, and yes, gambler he ever played. His very presence defines gravitas. He brings to the part of Hatfield the right amounts of courtliness and menace. He is a failed Southern gentleman, and therefore very touchy about it. He sees in Mrs. Mallory a way of recapturing the stately past, if only in his own mind. The scene in which he is killed is a masterstroke.

STAGE66 casts Mike Conners as Hatfield. He does a workmanlike job, but he lacks the slickness that Carradine can bring to the role. It’s hard to believe he is a man who makes his living playing poker.  He’s a little too quick to pull his gun.His backstory is filled in a little more. His fall from grace is more explicitly stated, but to no real purpose.

Waylon Jennings takes the role in STAGE86. He is much more openly a scoundrel. Unlike Mike Conners, he is nothing but slick. He’s the guy who smiles while he picks your pocket. And his description of his style of play leaves little doubt that he is not above cheating. The fact that he comes down on the right side at the end doesn’t make him admirable. Also, he can’t act his way out of a paper bag.

Doc Boone

In STAGE39 Thomas Mitchell delivers a fine portrayal on one in his long line of drunks. He is by turns, the lush with an inflated sense of dignity, the social conscience of the group, the blowhard, the foxy uncle, and the medical man. This movie scored a lot of firsts that screenwriters who followed have looked to, and one of them is the blotto doctor who sobers up long enough to deliver the baby or perform the tricky operation. Mitchell is an old hand. He knows what to do and does it flawlessly. He and Donald Meek make a perfect pair. His confrontation scene with Luke Plummer is a gem.

 

Bing Crosby won an Oscar for his work in STAGE66, as he should have. His portrayal is more completely comic than Mitchell’s, and he and Red Buttons work well together.  Their job is almost completely humorous, and provides a welcome respite from the serious business of the journey. And Bing just can’t resist making with the old Father O’Malley advice routine.

The doctor in STAGE86 is not that old rummy Doc Boone, but Doc Holliday. Yes, you heard right: Doc Holliday. When you’re the producer of the movie, you get to be whomever you want, like a little kid who whines, “No, I’m Doc Holliday”.  No matter that Doc Holliday has nothing to do with the story; no matter that the real Doc Holliday was a psychopath and a murderer, and probably an armed robber, never mind the real Doc was a dentist, who probably had received no training at all in delivering babies. Willie Nelson’s Doc is a wise and witty old uncle who spouts politically correct aphorisms at the drop of a sombrero. Everything about him is false and contrived. He is a sententious, self-righteous pain in the ass.

The Drummer

STAGE39 gives us Donald Meek, who practically had a patent on this type of part. That said, He’s comfortable enough in Peacock’s skin to broaden his performance. He realizes early on that he’s no match for Doc Boone’s predations, but note the growing look of sadness on his face every time Doc imbibes one of his samples. Is it regret at losing his stock, or sympathy for what he can see the doctor doing to himself? Peacock is the expert on babies, having fathered a slew. While the army wife is in delivery, Meek is the rock they all cling to. When the army wife’s baby is born, and they are all admiring it, Any Devine’s Buck starts making nonsense noises at it. Meek’s Peacock says, “Don’t do that.” This small reprimand speaks volumes about the strength of character that hides below that mild exterior.

Red Buttons in STAGE66 is a comic figure. He’s the straight man for Bing Crosby. This is nothing to be sneezed at. As George Burns points out, being a straight man is hard work. This is Red Buttons’ function and he does it admirably.

Anthony Newley’s Drummer in STAGE86 is a waste of space. Since there is no drunken whiskey thief, he becomes a man without a function. He opts to return to safety at the first sign of trouble and we never hear from him again. Or think about him.

Gatewood

Berton Churchill makes a fine Gatewood, the crooked banker in STAGE39. He displays just the right combination of bombast and bluster. It’s a one-note performance, but he plays his one note well.

In STAGE66, Robert Cummings rather overplays the hypocrite card, to the extent that I am at a loss that anyone believes him. He spends the whole movie protesting too much until Luke Plummer mercifully shoots him. Dallas hates him, Curly suspects him, Ringo despises him.

Anthony Franciosa in STAGE86 has more of a half note performance. He is not challenged by the part and he meets that lack of challenge. He has nothing to do and he does it well. When he dies and leaves his bag, no one seems to care.

Buck

Rumor has it that Any Devine landed the role of the stage driver in STAGE39 because Ward Bond couldn’t drive a six-up rig, a fact he was constantly reminding John Ford of every time he threatened to fire him. Whatever the reason, his Buck is just about the only character without a hidden agenda. Consequently, he’s the voice of reason. He’s constantly insisting that they turn around and go back, which, under the circumstances, is what anybody with a brain in his head would do. This, coupled with his constant complaints about his home life, produce a fine comic performance, the kind that Devine has been turning in for years.

In the incomparable Slim Pickens, STAGE66 has a Buck almost the equal of Andy Devine. He loudly and frequently protests that they ought to go back, and is constantly overruled by the Marshal. Once again, Buck is the prophet of doom that no one will listen to. Mr. Pickens is another actor whom I could listen to all day long, and rumor has it there is some sort of law that says you can’t make a Western without him (no even Blazing Saddles.)

In STAGE86 John Schneider gives us a Buck who is pretty much a cipher. He’s there to have conversations with Johnny Cash and to make portentous statements. Mainly, he’s there because they need someone to drives the stagecoach (the six-up rig, remember?)

The Plummers

Tom Tyler plays Luke Plummer, the focus of Ringo’s wrath, in STAGE39. Vester Pegg and Joe Rickson play his brothers. Luke is portrayed as a bad guy, a top gun, looking for the main chance, not above going after Ringo with a shotgun. He’s a typical bad guy. He fills the slot labeled “bad guy” in the story template. Not that he is any the less formidable. Even though his brothers seem pretty useless, I still wouldn’t want to face off with him on a dark street. Tyler supplies him with the same sort of coiled violence that Howard Hawks spoke of.

STAGE66 presents a Luke who is not far off from a psychopath. Keenan Wynn must have had a swell time playing him. The contrast between him and Robert Cummings is priceless. Luke serves as mentor to his two sons Ned Wynn (real life son of Keenan) and  Brad Westin. He praises them when they shoot the Marshal, advises them on murder, thieving and chicanery. He laughs manically as he shoots at Ringo when he’s  trapped on the stairs. Every crime is an opportunity to instruct the young.

Wynn’s Luke is Robert Cummings’ Lakewood taken to an extreme. He is chock full of hypocrisy and bluster, except he also kills people. If Robert Cummings had the nerve, he would have knocked off his wife and her father by this time. If Gatewood had more vision, was more of a risk-taker, cared less for the condemnation of others, he would be Luke Plummer.

The Luke in STAGE86 (Alex Kubik) is just a spear carrier. Ringo has to face off against someone. The singing trio has to have some Plummer allies to waylay. It’s time to wrap things up now. Everybody in your places. Ready? Begin.

 

Spear Carriers

So, where are we? There’s no banker in the Ernest Haycox story; there’s no marshal either. The whole subplot of the Kid crashing out of prison is gone, so there would be no reason for the marshal to ride shotgun on the trip. Oh, and the Kid is named Malpais Bill, and the shotgun guard who is on board is killed. The drummer dies, too, but from a fever, not from the Indians. There’s a cattleman who doesn’t appear in any of the movies, and an Englishman, “all length and bony corners” carrying “an enormous sporting rifle”. They both take part in defending from the Indians, and, after that, are never heard of again.  Bill does not set off to meet Plummer and his brothers or his sons, but with Plummer and his partner  Shanley. They both still wind up dead, though.

So what changes were made? In STAGE66, which follows the original screenplay most closely, The banker joins in the shooting, whereas in STAGE39 he does not. Luke Plummer’s role is expanded, and he is joined by his sons, not his brothers. STAGE66 is also the only version where the womenfolk sensibly get down on the floor to avoid flying bullets and arrows. The gambler is killed, not as he is about to preserve the army wife from capture, but afterwards, when the coach is stopped.

STAGE86 makes a pretzel out of the plot. Both Curly and the driver are wounded. The banker is killed, and the stolen money, tailor-made for an outstanding maguffin, is never heard of again. The drummer has already beat a hasty retreat with the soldiers. All of the Plummers are shown in the showdown with the Kid. Each of them, except for Luke, is waylaid by a member of our country music trio before he can do any mischief.

So, after all that, what are we left with? We’re left with John Wayne, tall in the saddle and quick on the draw. There’s only one Ringo Kid, and he’s it. Who are we lesser mortals to disagree?

Stan and Ollie and Me

In these days of self-isolation, I have been spending much of my time with Mr. Laurel and Mr. Hardy. I received a ten-DVD set of their Roach shorts and features, and have been happily making my way through them to while away my idle hours. It makes the time bearable. Hell, who am I kidding? It’s a major hoot, and I’m having a wonderful time.

When you binge-watch Messrs Laurel and Hardy, you notice certain patterns and techniques and co-stars. There are three that have come to my attention, and I’d like to share them now.

I Love Your Funny Face

“We didn’t need dialogue—we had faces.” –Norma Desmond

Is there a face more beleaguered, more exasperated, more eloquent than Oliver Hardy’s face? He goes through life joined at the hip to Stan Laurel, who is nothing short of a natural disaster, like an earthquake or a flood. Stan is a carrier: the misfortune he carries rarely comes back on him. It reaches out to engulf those around him, mostly Ollie.

Conventional wisdom has it that Stan was the more talented of the two. Stan Laurel was a comic genius. He devised most of the duo’s gags, and tried his hand at directing as well. However, allow me to take up the cause of Babe Hardy. If Stan had been paired with anyone else, he would not have been nearly so funny. There was a mysterious alchemy between them that made the whole greater than the sum of its parts. The boys themselves determined their success was due to a combination of dumbness and dignity. Both of them are needed for a complete recipe.

In many ways, the theme of all the pair’s movies is this: Ollie knows that disaster follows Stan wherever he goes, by he sticks by him anyway. Theirs is an inseparable bond. And this is where Ollie’s marvelous face comes in. The fourth wall does not exist for Mr. Hardy. When Stan commits some fresh depredation, Ollie will turn to the audience, inviting it to commiserate with him. He lays there in the rubble that Stan has left behind and stares out at us. “I knew this was going to happen,” his expression says. “You knew it too. Why didn’t you stop me?” He watches, no longer incredulous, as Stan complicates and wrestles with the simplest task and slowly looks out at us. “Do you believe this?” his look asks. We watch as he suddenly boils over and strikes out at Stan, an action which frequently rebounds on him. So it goes.

Stanley is stupid, and he knows it. Oliver is smarter than Stanley, but only by a little. He’s stupid too, but he doesn’t know it. Oliver almost always insists on doing things his way, except in those instances when Stanley has convinced him another way is better. Oliver has learned nothing from experience. Deep down he probably knows that none of this (whatever it is) will end well, but he’s always willing to try again. Oliver is Sisyphus, constantly rolling the same boulder up the hill, only to have it roll back down and probably bounce off his head. We watch and wince as the calamity happens. Ollie never seems to learn, and, to our shame, we don’t really want him to.

The boys routinely remade their talkie shorts in languages other than English, notably Spanish and French. These shorts were expanded with additional reels of material to qualify them as features in foreign markets: more set pieces, more dialog, more gags. In one of these, a French version, Ollie, after suffering once again because of Stan’s ineptitude, appeals to all of us. “Maybe it’s me,” he says out loud. He considers this for a moment. “No,” he concludes.

No, of course it’s not. Ollie is us. He’s our surrogate, the only one brave enough to spend his time in Stanleytown. He suffers, and we witness his suffering. He suffers for us.

Mae Busch

The Versatile Vamp

The ever popular Mae Busch, as Jackie Gleason used to call her, was born in 1891 in Melbourne, Australia, where she lived until she was six. She was born into a theatrical family, and by the age of twelve she was appearing with her parents in their vaudeville act. Vaudeville led to Broadway, which led to Jesse Lasky’s girl show, which led to Hollywood and Keystone Pictures. Mabel Normand was her friend and mentor there until Mae got caught in flagrante you-know-what with Mabel’s fiancé, Mack Sennett, and had to leave Keystone. Mae remained in Hollywood and worked pretty steadily. She worked with Erich von Stroheim, with Harry Carey, with Lon Chaney, Joan Blondell, Buck Jones, and Norma Shearer among others. She became known as the Versatile Vamp. Her principle claim to fame, however, rests on the dozen or so movies she made with Laurel and Hardy.

She played Oliver Hardy’s wife. . She played Charlie Hall’s wife. She played what for want of a better word we can call floozies. In every role she was pitch-perfect. Her larger-than life persona and larger-than-life voice made her a formidable foil for the boys (and everybody else). Her in-your-face delivery was matched by her in-your-face body. Some of the costumes she wore confirmed she had quite a shape in addition to a pretty face. Truth to tell, she was a babe, something often overlooked in discussions about her. Just check out her publicity stills.

In addition to being pleasingly built, Mae was also sturdily built. In several of Laurel and Hardy’s shorts she wrestles with or is manhandled by one or both of the boys, and she gives as good as she gets. In those episodes where she is married to Ollie, she throws a mean saucepan. Mae represents the emancipated woman long before she became well-known.

The critic Cecilia Ager once wrote of the incomparable Margaret Dumont:

“There ought to be a statue erected, or a Congressional Medal awarded, or a national holiday proclaimed, to honor that great woman…”

I’d like to make the same proposal about the ever-popular Mae Busch.

James Finlayson

“D’oohhhh!”

It was only recently I found out that Jimmie Finlayson’s signature walrus mustache was fake.   He didn’t have a mustache at all. What he did have was the most penetrating squinty stare in the history of civilization.

Unlike Stan or Ollie or Mae, Jimmie came to the theater from the business world. While attending Edinburgh University in his native Scotland, he was bitten by the bug and never recovered. Like Stan and Ollie and Mae, he honed his craft in vaudeville and with Mack Sennett before landing at the Roach studios in 1923. Roach saw his potential and tried to feature him as the star in several shorts. This didn’t pan out, and Jimmie found his true calling as a valued supporting player.

And support he did. Like Edgar Kennedy, he perfected the slow burn. In his case it was accompanied by that gimlet-eyed squint that could strike terror into the heart of any man. ( Indeed in one L&H short, Chickens Come Home, in which he plays the Butler-Who-Knows-More-Than-He-Says, Jimmie uses the stare and nothing else to repeatedly extort money from employer Ollie.) But behind the stare is pure apoplectic rage. Mr. Finlayson is the very definition of barely contained fury.  We know that sooner or later it will burst forth. No one human could keep the lid on such a seething pressure cooker indefinitely. It finally explodes with an exclamation of “D’oohhhhh!” and mayhem ensues. And his fury is truly terrible to behold. Witness Jimmie’s display of devastating wrath at the end of the silent short Big Business.

Jimmie Finlayson was a perfect foil for the boys. He relies on his rank or social position to protect him from silliness. He insists that the world move along according to plan, sensibly, soberly. Ollie wishes this were so, but deep down in his heart, he realizes it does not. Stan thinks it does, despite mountains of evidence to the contrary. Stanley’s world view is constantly clashing with Jimmies’s world view, and to Jimmie’s mortification, is always victorious.  Stupidity rules supreme. And Ollie, as usual, is collateral damage.

Dan Castanetta, who voices Homer Simpson, has admitted that Homer’s expletive, “D’oh” is based on Jimmie Finlayson’s trademark exclamation. All due respect to Messrs. Castanetta and Simpson, James Finlayson is and always will be the master.

Draft Board Days

In 1940 the poet Robert Duncan tried to avoid the draft by claiming to be a Taoist conscientious objector. I’d love to see him try that with my old draft board.

In 1970, my local board had a reputation for eating COs for breakfast. The chairman was a man named Duffy who owned an Army Navy store in town. Mr. Duffy had a scar running down the left side of his face, which, the story goes, he had received during the invasion of Normandy in 1944. This gave him an intimidating appearance, and also suggested his opinion on the importance of things military.

I was studying overseas on December 1, 1969 when the first Selective Service Lottery was held. I still remember all the American students at our hotel huddled around a copy of the overseas edition of the New York Times, reading the list of birth dates and call numbers assigned to them. It is all but impossible for young men today approaching what used to be called draft age to understand the impact of this single event on the lives of all of us in those days. It was the prime topic of conversation at college campuses all across the country. Young men who had been content to drift along in school with little thought of the draft or its consequences were often “radicalized” by a low number, which meant an early call. Thousands of other young men who drew numbers in the 300’s (deep in the final third of numbers, and virtually immune) felt as if a great weight had been lifted from their shoulders. It was somehow characteristic of the times that we all breathlessly awaited the outcome of what can only be described as a kind of National Bingo Game.

The late 1960s and early 1970s was a time that offered an unusually rich mixture of the tragic and the ludicrous. Martin Luther King was shot; Robert Kennedy was shot, and so were four students at Kent State University. George Wallace was shot by a young man who asked, as he was being led away to jail, “How much do you think I’ll get for my memoirs?” There were riots in the cities and on campus, and at the Democratic National Convention, and the Justice Department issued guidelines to help us all distinguish a major riot from a mere disturbance.

Governor Romney declared he had been brainwashed about the Vietnam War, and everyone agreed he probably had. The White House Plumbers were engaged in their Abbot and Costello burglaries, and the White House guards were ridiculed in their Gilbert and Sullivan uniforms. People burned draft cards and brassieres and set off bombs around the country, even in the men’s room of the Capitol. There were many frustrating failures, from the Paris Peace Talks to Vietnamization to the midi skirt, and a few shining successes at places as disparate as Woodstock, New York, and the moon.

Above all, there was Vietnam. General Westmoreland assured us he could see the light at the end of the tunnel, but that light proved to be only the raging fires of Tet. We read about Khe Sahn and Da Nang and Hué and the unlucky town of Ben Tré, which, according to the Army, it became necessary to destroy in order to save. The Army, with no real victories to point to, counted bodies and pointed to them. It was a frustrating, confusing war, and the easy bravado we had always mustered in the past failed us. We learned that we were not always triumphant, or sensible, or right, or even very nice, but the lesson went down hard. The nation was split in two. On one side were the Yippies, the Weathermen, and the SDS, and on the other, the American Legion, the hard hats and the Silent Majority. Neither camp would give an inch, and the few voices of moderation could scarcely be heard amid the New Left cursing at the cops and Spiro Agnew baying at the moon. The government tried to indict the peace protestors, General Hershey threatened to draft them, and the President of the United States called them bums. It was a funny, sad, grim and crazy time, and everyone was frightened of everyone else.

And so it goes.

My draft number was 122, almost exactly on the line of demarcation between the first and second thirds. Half of my friends told me that I would probably escape being called. The other half assured me that I didn’t stand a chance. I received all sorts of advice about jumping from walls to flatten my feet or sticking an ice pick in an ear. However, before you could be called, you had to be classified. This was the heart of the matter, for the right sort of classification would keep you out of the Army no matter what your number was.

There were the I-S classification, a student deferment, which most of my friends and I had in 1969, and all the permanent classifications: IV-D, the ministerial exemption, IV-A, sole surviving son, III-A, a hardship deferment, and the dreaded I-A, which made you fair game. There was also IV-F for those not fit to serve, which was the aim of the ice picks and jumping from walls. There was also the curious category into which my brother was placed because of his heart condition: I-Y. This classification meant you were available only in times of national emergency. Our father always referred to this as “the bottom of the barrel”.

The classifications I sought were those for conscientious objectors, or COs: I-A-O and I-O. I-A-O was the category for non-combatants serving in the Army. Most of these became medical corpsmen. I had attended training classes in Selective Service run by the War Resistors League, and had spoken to several medical corpsmen returned from Vietnam. They assured me there were no non-combatants in that unhappy place. No matter what the local board, or even the Army, might say, medics over there were given guns and expected to use them. The grunts in the firebases took a dim view of anyone not willing to keep them from getting shot, but willing only to patch them up afterwards, and I can’t say I blame them. All this convinced me that the only suitable classification was I-O, which resulted in performing two years of civilian alternate service.

Americans, like everybody else, are prone to equate patriotism with war. Pacifism is not a comfortable position for us to uphold. One thinks of Walter Brennan urging Gary Cooper to overcome his qualms of conscience and go on to become Sergeant York, or Alan Ladd, in The Deep Six, discovering that a Quaker can shoot people up and still be at peace with himself.   I was not a Quaker, or even a Taoist like Mr. Duncan. I had been raised a Roman Catholic, a sect not officially pacifist. But I did believe in a God who never meant us to go around killing each other, and I did not believe in any exceptions to this. The mood of the nation, however, was different. We believed then that there was a point to what we were doing in Vietnam, and an end in sight.

According to Selective Service, a conscientious objector was one who was “opposed to war in any form by reason of religious training and belief”. This meant opposing war for the approved reasons, and opposing all wars going back, one supposes, to the time of Julius Caesar. It was not enough to believe that Vietnam was immoral, illegal, or just plain stupid. That smacked of political protest, and would result in a denial. To be fair, the boards were stuck with the unenviable task of sifting out applicants with genuine religious convictions from those acting from the perfectly normal (although not necessarily religious) motive of not wanting to be killed. Many local boards were deeply suspicious of CO applicants, who seemed to be cowards or traitors or both. I would have to convince them that I really believed what I said I believed. Like Linus in his dealings with the Great Pumpkin, it was my sincerity I had to prove.

So it goes.

I had to write a statement of my beliefs and provide references. The board supplied a lawyer to review my materials in light of the regulations. He told me I had a well put-together case (The War Resistors had taught me well), but pointed out one weakness that, sure enough, the board picked up on when I went for my initial hearing. More about this later.

Mr. Duffy was there, scar and all, along with four other men, seated behind a long table. They were brusque and businesslike, but certainly not hostile. They asked a great many questions, including what I would do if a Viet Cong attacked my mother. This questions and other like it followed a pattern familiar to pacifists-the belief that moral opposition to war means opposition to all forms of violence in all situations. (It can, but it doesn’t have to, and that’s not what the regulations say. The best advice the War Resistors gave me was that I was not there to debate philosophy; I was there to show I fit their guidelines for conscientious objection.) Some boards were known to bait applicants, trying to trick them into outbursts that could be taken as political and therefore disqualifying. I told the truth and refrained from any smart-ass remarks, and things seemed to go well enough.

Then the weakness the lawyer had warned me against came to the fore. In my freshman and sophomore years in college, I had participated in ROTC. Although my school was not a land grant college, ROTC was mandatory for all males during their first two years there. I still don’t know why. I didn’t like it, but there was nothing I could do about it. (By the time I became an upperclassman, the ROTC requirement had been abolished. Unpleasant requirements were always being abolished after I had gone through them.) I tried to explain the situation to the board, but they remained skeptical.

If the War resistors hadn’t cautioned me against smart-ass answers, I might have told them that any connection between the ROTC I went through and the military was purely fanciful. The fellows who were in it with me compared it to the Boy Scouts. We were all issued uniforms and told to keep the buttons polished and tramped around the campus in a sad parody of marching. There were three companies in our section and I was in F Company. Our company commander, Captain Morgan, was insistent that we were F Company, not F Troop, a popular TV comedy of the time depicting a cavalry outpost manned by buffoons. Captain Morgan had good reason to worry, for we were a sorry lot indeed. He was an unhappy upperclassman, cursed with a weak and high-pitched voice ill-suited for making announcements to large bodies of men in an open field. I can still hear him squeaking out the orders of the day.

My platoon was commanded by a rabbity Junior named Quinby. He was a lieutenant and wore an officer’s cap, the kind with a stiff brim that shaded the eyes. This cap always caused problems for me at inspection time. Inspections were held once a week. The platoon leader and his sergeant would walk down the rank (or file, I always got those two mixed up), stepping in front of each man and looking him over to see if he had neglected to shave or had his coat on backwards or something. It was a complicated procedure consisting of two stiff steps, a sharp 90° turn to the left and one step forward; then the inspection, one step back, another 90° turn to the right, and on to the next man. The inspection took place at a distance of about six inches, and this is where my problem occurred. I was a good deal taller than Lieutenant Quinby and found myself staring at the top of his cap whenever I was inspected. It would apparently have been a severe breach of form for him to have stepped back to see me properly, or to have inclined his head, so he spent all his time staring at my tie. This was unfortunate for me, for I could never learn how to tie my tie in approved military fashion, and always got demerits.

Once during my freshman year, I got a part in a school play, a costume drama that called for me to wear my hair longer than regulations permitted. I had to hunt up Captain Morgan to ask permission to do this, which he grudgingly gave. A few weeks later, at inspection, Lieutenant Quinby made his 90° turn and took one step toward me.

“Your hair’s too long,” he said to my tie.

“I have permission to wear it this length, sir,” I said to his cap. I couldn’t figure out how he could see my hair.

“Oh,” he said, and took one step back, made a 90° turn and took a step toward the next man. He paused, though, and then took one step backward made another 90° turn and stepped toward me again. The whole maneuver made him look alarmingly like a wind-up doll with an overwound spring.

“Permission from whom?” he said.

“From Captain Morgan, sir.” I said.

“Oh, “ he said, and then to the sergeant, “Tie.” I was marked down for my tie again. I was hoping he hadn’t noticed.

Once, while walking across campus, I was hailed in passing by someone I had never seen before. It took me a full two minutes to realize it had been Lieutenant Quinby in civvies. I hadn’t recognized him without his cap. I was surprised he knew me, since I wasn’t wearing a tie.

In addition to being unable to tie my tie properly, I couldn’t march correctly, or hit the target on the firing range, or put a rifle back together after someone had taken it apart. I was so awful they put me in a special unit known informally as the “goon squad”, along with all the other misfits. This unit was turned over to an unlucky lieutenant named Wheatly whose patience was sorely tested every week as he attempted to “whip us into shape” as he put it. I suppose if I had thought of it, I could have gotten a letter from him to show my draft board certifying me as a hopeless incompetent who should under no circumstances be allowed anywhere near the real Army. He would have written it gladly. I didn’t think of this, however, and had to get a letter two years later from the Dean of Students verifying that ROTC was mandatory for all underclassmen. This seemed to satisfy the board and they did not raise the matter again.

In May, 1971, I was granted I-O status by a vote of three to two and sent a list of positions from which I was to choose the alternate service at which I would work for the next two years. The jobs consisted of things like sweeping floors and cleaning bedpans. It seemed to me there were better ways for a college graduate to serve his country. I had heard of a Teacher Corps program in a nearby town, and wrote to the board suggesting that I serve there. They wrote back explaining that I had to pick a position wherein I would not compete with others in the job market. In obtaining a CO status I had apparently become a creature apart who was not permitted to interfere in the lives of real people. Certainly the jobs they had waiting for me were the sort for which few people would want to compete. They seemed to be jobs designed to make you sorry you hadn’t gone into the Army. And, in point of fact, that was so. Local Board Memo #64, amended in 1968, directed that CO civilian work “constitute a disruption of the registrant’s normal way of life comparable to the disruption of a registrant who is inducted into the Armed Forces.” This stemmed from the prevalent belief that COs were trying to get away with something. It was more important that alternate service be punitive than useful. I disagreed and wrote the board again saying I wanted to join the Teacher Corps.

Then a strange thing happened. The board stopped writing to me completely. It was too much to hope for that my letters had swayed them to let me do what I wanted. I had a crazy idea that they had forgotten about me, that my file had been lost or accidentally destroyed, so I did not write them to ask what had happened. In the meantime, I was accepted into the Teacher Corps and began my training that June. I had just begun to believe that everyone had indeed forgotten about me when I received an Order to Report for Armed Forces Physical Examination.

My classification had not changed, and I briefly considered not going, but the exams were run by the Army, not Selective Service, and the Army didn’t care what your status was. In those uncertain times, I thought it wiser not to get anyone else mad with me.

I reported to the Federal Building in downtown Newark along with several hundred other young men whose numbers, as they say, had come up. We were herded into groups and given pencils and forms and told to sit at some tables and fill out the forms. As I was filling out mine, the fellow sitting next to me nudged me with a beefy elbow.

“Hey,” he said, “you got glasses. What’s this?” He held up a form labeled ARMED FORCES SECURITY QUESTIONNAIRE. The form contained three columns of small print that took up most of both sides of the paper. These columns were identified as the Attorney General’s List of Subversive Organizations.

“They want to know if you’re a member of any of those organizations,” I told him. I wondered what my having glasses had to do with anything.

He studied the form for a moment and placed a stubby finger beneath one of the entries. “What’s this here one?”

“Dai Nippon Butoku Kai,” I read.

“What the hell’s that?”

“I think it’s Japanese.”

“I ain’t no Japanese.” He looked at me as if I had called him Japanese.

“I’m sure you’re not,” I said quickly.

He turned away and stared at the form, shaking his head. “I ain’t no Japanese,” he said again.

I checked through my forms, but I had not been given a Security Questionnaire, perhaps because as a registered CO I was already suspect.

When the forms were completed, we were directed to a locker room and told to remove our street clothes. Then we all filed out in our underwear and walked around the floor, stopping at each of the examination stations, some of them in rooms, some just tables in the hall, presenting our forms at each one. The examiners questioned us and looked at and listened to us with their instruments. They took samples of our blood and urine. One hopeful soul had swallowed something that turned his urine bright green. The Army doctors were unimpressed, having seen this sort of thing dozens of time before, and told him he would have to return for another physical when his bodily fluids were of a more conventional hue.

In order to test our hearing, they put us by fives in a small soundproofed room and gave us headphones to wear and signal buttons to press, like contestants on Jeopardy. We had to press the buttons when we heard a tone in the earphones and release them when the tone stopped. One of our group, a shaggy Puerto Rican, proceeded to press whenever he pleased and release whenever he pleased. The sergeant kept coming into the room and explaining the procedure, but he just stared at him with damp, bovine eyes and continued to press and release whenever the mood struck him. They finally yanked him from the room and the test went ahead without him.

When you are wandering the halls of a large building in your underwear, you look for diversions to take your mind off your current situation. I thought about two fellows I knew who had just graduated from Colgate. They had added their names to a document stating their refusal to serve in the Armed Forces if drafted. The names were read out at Commencement, and it got on the evening news. The fact that one of these fellows was deaf in one ear and the other was allergic to almost everything God had created, including house dust, of course made it no less noble a gesture.

I also thought about my friend Carl, whose request for CO status had been denied by his local board. He reported for his physical while preparing his appeal. Carl has borderline low blood pressure, and three hours of standing in line made it dip below the acceptable level. He wound up IV-F instead of I-O, but he was just as happy.

And what about Robert Duncan? His draft board told him that Taoism was not a religion. When he assured them it was, they said it wasn’t American, which was just as bad. Mr. Duncan consulted the I Ching, which counseled non-resistance, so he let himself be inducted. A short while later he received a dishonorable discharge as a “sexual psychopath” (read: gay). This was back in the days before “Don’t ask; don’t tell”. This was in the days of “Aha! Gotcha!”

I spent time talking to one young man who was hoping to be rejected because of his weight. If you were found to weigh too little or too much, you were rejected provisionally-you had to come back in six months for a re-examination. This fellow told me each time he received a notice to report he would stop eating two weeks before the exam date to bring his weight down. This was his third examination, he said, and he was worried he had lost enough. I wished him luck.

After the last medical exam, we were allowed to put our clothes back on (for which I was grateful) and filed into another room for the Mental Examination. This sounded ominous, but it turned out to be merely a series of written tests. There was a word definition test, and a test in which they showed you a picture of something and asked what it would look like if it were turned up side down or inside out. Another test had various line drawings of mechanical things we had to identify. They might have been parts from an automobile, or a lawn mower or a toaster or anything at all, as far as I was concerned. I left whole pages of this test blank. I wondered if I was going to fail the test and be considered not fit to bother about from then on. I later found out that, although I had scored only a 67, the passing grade was 31.

So it goes.

The last room into which I was directed was a small one and contained a young officer seated behind a table. He had my forms on the table in front of him.

“Congratulations,” he said, “you have been found fit for military service.” He said “congratulations” like a college dean might say it to the final graduate of a commencement class of 2000.

I thanked him, not knowing what else to do, and left. On my way out I met the young man who had given up eating. He had been rejected again.

I began teaching primary school under the auspices of the Teacher Corps in September, 1971, still without having heard from the board concerning the acceptability of the job. I thought it might have been a consolation for them to know that working with a room full of second graders had disrupted my life considerably, but I never wrote to tell them.

Throughout my draft adventures, my fiancée was loving and supportive, and we were married in May, 1972. Three days before the wedding I was reclassified by the board as 1-H. This was an administrative classification, a “holding category”. It seemed to mean they did not know what to do with me, but they still were not going to forget about me, either. Not the bottom of the barrel, but not exactly first-string either.

The local boards had other things on their minds at the time because the pressure was mounting to end the draft completely, and it finally was ended in 1973. People were becoming increasingly tired and ashamed of the Vietnam War, and the draft was too closely associated with it to survive. It would still be a long time before this attitude would become widely accepted or openly expressed.

The problem of what to do with the young men who were less fortunate than I and had fled the country or gone into hiding to escape the draft surfaced almost at once. There was still a strong feeling that such fugitives were at best cheats, and at worst criminals. A Gallup poll taken in the fall of 1973 indicated that most people were in favor of amnesty “with some sort of punishment”, which is a curious sort of forgiveness. Most of the draft resistors resisted amnesty as well, contending they had done nothing wrong. People in those days had a hard time believing that, just as they had a hard time not believing there was something craven or disloyal about COs.

The whole period was summed up best for me in a remark made by the mother of one of my fiancee’s friends. Her daughter had told her of our impending marriage.

“Isn’t she worried he might be sent to Vietnam?” asked the mother.

“No,” said the friend, “Jim’s a conscientious objector.”

“Oh, no,” said her Mom, “that’s worse than marrying a nigger.”

So it goes.